End-Time Insights

When Satan is expelled from heaven, a “ great voice ” warns that the “ Dragon ” is enraged since he has only a “ short season ” remaining to inflict harm on those who have the “ testimony of Jesus .” He vented his rage by persecuting the “ woman ” who produced the messianic “ son ,” but he was thwarted from destroying her. Consequently, he launched his “ war ” against her “ seed .”

After his expulsion from heaven, Satan wages war against the seed of the Woman, those who hold the testimony of Jesus .  Having failed to destroy the messianic “ son ,” and now, thoroughly enraged, the “ Dragon ” vents his rage by pursuing the “ woman ” into the “ wilderness ,” not by waging war against the " inhabitants of the earth .” But he is thwarted in this effort, so instead, he turns his rage on her offspring – the men and women who “ have the testimony of Jesus. ”

The “ Son ” in the twelfth chapter of  Revelation  represents the Messianic figure in the  Second Psalm  who “ shepherds the nations .” Following the enthronement of the “ Lamb ,” heaven declared, “ Now is come the Kingdom of God and the authority of His Christ .” His “ faithful testimony ” in death and his victory through resurrection marked the start of his reign. However, he rules by “ shepherding the nations ,” not destroying them.

The saints overcome the Dragon through the death of the Lamb and their faithful witness even unto death  – Revelation 12:11.  In Chapter 12 of the book of  Revelation , the “ sign of the Great Red Dragon ” appears in the heavens, signifying that the “ war ” has commenced between his forces and those of the “ son ” who is destined to “ shepherd the nations .” But the result of Satan’s attempt to destroy the “ son ” is his expulsion from “ heaven ,” and the proclamation of the victory of the “ brethren. ”

The Beast of Revelation embodies the ancient imperial power that has stalked the saints since the Tower of Babel incident . History is littered with the remains of past attempts by tyrants and empires to dominate peoples and territories. Each new imperial power may experience initial success. However, all past empires have floundered, declined, and collapsed in the end. The Babylonian kingdom of Nebuchadnezzar and Caesar’s imperial realm, for example, ceased to exist thousands of years ago .

The “ Abyss ” was introduced when the “ fifth trumpet ” sounded and demonic hordes “ ascended ” from it. It is referred to next after the “ Two Witnesses ” complete their “ testimony .” On cue, the “ Beast ascends from the Abyss ” to attack and slay them, but only after they finish their prophetic mission.

The “ second woe ” does not end until the “ Two Witnesses ” have completed their “ testimony ” and their “ corpse ,” singular, lies on the streets of “ Babylon .” Only then will the final trumpet be heard as its ushers in the hour of the judgment. The martyrdom of the “ Two Witnesses ” puts the end into motion and seals the doom of the “ Dragon .”

In its task of prophesying before “ nations and kings ,” the church is symbolized by “Two Witnesses” that “ testify ” before the “ Inhabitants of the Earth .” Their work continues for the entire “ twelve hundred and sixty days ” or “ forty-two months ” until they “ finish ” their prophetic ministry. Afterward, they are “ slain by the Beast from the Abyss .”

His disciples reign with Jesus as priests who render service in the True Tabernacle and minister his light and message to the world . The present sovereignty of Jesus is based on his past Death and Resurrection, and His disciples participate in his reign. Like him, their royal position is paradoxical. It is characterized by self-sacrificial service rather than the suppression and destruction of their human enemies. The shedding of Christ’s blood is what consecrates them as “ priests ,” and priestly service for others is how they rule with him.

The sanctuary must be “measured” before the city can be inhabited, but first, it must be “trampled underfoot” by the nations  - Revelation 11:1-2.  In the preceding vision, John was commanded to “ prophesy again over many peoples and nations and tongues and kings ,” which set the stage for the next two visions, the “ measuring of the sanctuary and the altar ,” and the testimony of the “ two witnesses .” Both are connected by the equivalent figures of “ forty-two months ” and “ 1,260 days. ”

The period when the saints endure persecution is presented in three different but equivalent forms – “ forty-two months ,” “ 1,260 days ,” and the “ season, seasons, and half a season .” These variations do not point to three separate periods. Instead, they link several visions that describe specific aspects of the persecution that takes place during this period.

The climax of the ‘Seventy Weeks’ prophecy is the appearance of the “ abomination that desolates .” But what is it? The reference to it in chapter 9 is neither the first nor the last word on the matter. Interpreting the “ abomination ” in isolation from the larger literary context produces incomplete and even false answers to the question.

The tenth chapter of  Daniel  introduces the final vision received from one with the “ appearance of a man .” The vision is described in detail in chapter 11, and it includes verbal links to the book’s preceding visions. It begins by expanding on the vision of the “ Goat ” with a  “ prominent horn ”  that overthrew the  “ Ram ”  and the division of the Greek empire into four “ lesser kingdoms .”

The introduction to the final vision in chapter 10 did more than just portray an impressive angelic visitation. It provided verbal links to the vision of the “ Ram and the Goat ” and its interpretation. Now, additional details are presented concerning the demise of Persia, the rise of Greece and its first great king, and its division into four lesser realms.

In the  Book of Revelation , the “ Little Horn ” from Daniel’s visions is  NOT  referred to explicitly but its characteristics are present in the “ Beast from the Sea .” The Book does not retell the same story from  Daniel  without changes. Instead, it modifies and repurposes it to tell  ITS  story. The “ Beast ” is based on Daniel’s “ Little Horn ,” but it also is something beyond it, and arguably, far worse.